For this original performance, Alina worked on the duality between light and shadow and its place in our physical, mental and emotional human experience.

I have always been attracted and inspired by contrast and dualities, in fact many Kimôhs are designed as reversible garments: the two faces define an encounter, between two ways of being, two parts of a 'whole'.

So I felt close to Alina's intentions, and her purpose seemed an ideal opportunity to use reversibility as a scenographic tool, playing with those two sides of her costume to reflect or absorb light and express opposite feelings invading her body.